alainquilici.com
ALAIN QUILICI
editBorn in Tuscany to a family of cobblers Alain Quilici has been designing his namesake shoe collection for two years. He creates with form and function in his mind adding an unexpected third element. The formula then goes form follows function follows VISION. Alain Quilici has builthis peculiar aesthetic relying on inspirations as diverse and coherent as the flesh and metal hybrids of Shinya Tsukamotos post human cinema the physical and psychological deformations of David Cronenbergs movies and the muscular drama of Francis Bacons and Egon Schieles paintings. Transformation morphing evolution are constant themes in his oeuvre. No longer mere accessories shoes turn into foot suffix that organically extend and redefine the body creating a new seducing brand of anatomy. Forms are often quizzing always incisive never frivolous design follows a rigorous determinism that makes sure that every element goes through an evolution process. The mechanical transformation takes off from a well-known starting point to reach unexpected results. The silhouette of a roller or ice skate for instance spawns a fetishistic bootie a wedge thorn apart generates a stiletto heel a sturdy heel hides a slim metallic blade. Elsewhere a heel turns into a curvy menacing drill vertical cuts on a platforms suggest joints on conveyer belts a wedge heel gets an angular silhouette as it is forcing its very own limits. To highlight the rigor of the composition colors are generally limited to a strict palette of graphic black and white grey and flesh-like neutrals. Toscano figlio darte Alain Quilici disegna da due anni la linea di calzature che porta il suo nome. Il binomio forma-funzione il punto di partenza della sua prassi creativa con laggiunta di una terza variabile depistante. Dunque form follows function follows VISION. Alain Quilici ha forgiato la propria estetica sullimmaginario post-umano del cinema di Shinya Tsukamoto fatto di carne e metallo uniti in ibridi be... read more
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DNS resolve:
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Domain worth:
$18,808
Health score:
%
Domain registrar:
PDR LTD. D/B/A PUBLICDOMAINREGISTRY.COM
Domains using same registrar:195,625
Domains using same registrar:195,625
Technical
Website availability:
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Latest result: Website is UP
Latest test time and date: 4:24:26 PM November 2, 2013
Latest test duration: 0.335 seconds
Test results (detailed CURL answer)
HTML size: 9394 bytes
Url: http://alainquilici.com
Content_type: text/html
Http_code: 200
Header_size: 262
Request_size: 175
Filetime: -1
Total_time: 0.333259
Namelookup_time: 0.093699
Connect_time: 0.172845
Pretransfer_time: 0.172871
Size_download: 9394
Speed_download: 28188
Download_content_length: 9394
Starttransfer_time: 0.253095
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jQuery (version 1.4.2)
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Debian
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Apache (version 2.2.16)
Hosting:
Domain IP:
37.59.55.196 France (1 changes since April 2, 2012)
IP history:
April 2, 2012 89.188.142.58 (Televideocom Srl) → 37.59.55.196(OVH SAS)
DNS Resolve:
OK
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ns2.dominiofaidate.com (IP 85.94.212.168)
Other domains using this NS: 760
ns1.dominiofaidate.com (IP 5.144.169.178)
Other domains using this NS: 760
Other domains using this NS: 760
ns1.dominiofaidate.com (IP 5.144.169.178)
Other domains using this NS: 760
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Domain age:
11 years and 3 months
Domain worth:
$18,808
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%
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updated 19 Oct 2013
Twitter: 1 tweets
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Title:
ALAIN QUILICI
Meta-keywords:
Born in Tuscany to a family of cobblers Alain Quilici has been designing his namesake shoe collection for two years. He creates with form and function in his mind adding an unexpected third element. The formula then goes form follows function follows VISION. Alain Quilici has built his peculiar aesthetic relying on inspirations as diverse and coherent as the flesh and metal hybrids of Shinya Tsukamotos post human cinema the physical and psychological deformations of David Cronenbergs movie
Meta-description:
Born in Tuscany to a family of cobblers Alain Quilici has been designing his namesake shoe collection for two years. He creates with form and function in his mind adding an unexpected third element. The formula then goes form follows function follows VISION. Alain Quilici has built his peculiar aesthetic relying on inspirations as diverse and coherent as the flesh and metal hybrids of Shinya Tsukamotos post human cinema the physical and psychological deformations of David Cronenbergs movies and the muscular drama of Francis Bacons and Egon Schieles paintings. Transformation morphing evolution are constant themes in his oeuvre. No longer mere accessories shoes turn into foot suffix that organically extend and redefine the body creating a new seducing brand of anatomy. Forms are often quizzing always incisive never frivolous design follows a rigorous determinism that makes sure that every element goes through an evolution process. The mechanical transformation takes off from a well-known starting point to reach unexpected results. The silhouette of a roller or ice skate for instance spawns a fetishistic bootie a wedge thorn apart generates a stiletto heel a sturdy heel hides a slim metallic blade. Elsewhere a heel turns into a curvy menacing drill vertical cuts on a platforms suggest joints on conveyer belts a wedge heel gets an angular silhouette as it is forcing its very own limits. To highlight the rigor of the composition colors are generally limited to a strict palette of graphic black and white grey and flesh-like neutrals. Toscano figlio darte Alain Quilici disegna da due anni la linea di calzature che porta il suo nome. Il binomio forma-funzione il punto di partenza della sua prassi creativa con laggiunta di una terza variabile depistante. Dunque form follows function follows VISION. Alain Quilici ha forgiato la propria estetica sullimmaginario post-umano del cinema di Shinya Tsukamoto fatto di carne e metallo uniti in ibridi be
Links from homepages:(detailed)
3 links (from 3 unique hosts)
Examples: elenell.blogspot.com, publicimagepr.blogspot.com, kimhowells.blogspot.com
Examples: elenell.blogspot.com, publicimagepr.blogspot.com, kimhowells.blogspot.com
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SERP organic visibility:
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Domain name is seen on one search engine query. Position in SERP is 29. Statistical information was collected from April 22, 2012 to April 22, 2012
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